lászló krasznahorkai the melancholy of resistance

The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012).

Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. I speak now of the sun-struck, deeply lived-in days of my past.Ī retelling of ancient Greek lore gives exhilarating voice to a witch.

There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ''There are no verdicts to childhood, only consequences, and the bright freight of memory. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. Susan (a shrink with a lot of time on her hands) says to Tom, 'Will you stay in New York and tell me all you know?' and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend-the implication being that she couldn't stand being a Wingo anymore.

When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. A flabby, fervid melodrama of a high-strung Southern family from Conroy ( The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent.

László krasznahorkai the melancholy of resistance